Posts Tagged American Culture

Travels Through Death Soon to Come II

My death is arriv-
ing with brown and purple hugs,
temporary nails,
Gregorian chant sneaks up,
John Cage cheers my soul

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Recursive Empty

Down, count me
red nursery down,
count me hel-
icoptors
tearing off my  strings, leaving
darkened blue regret.

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Friday Afternoon at Costco

I know it’s

me — the people with

anger that

mangles my

nerves — attacked by carts, wanting

to curl down and die.

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Take a Look in the Mirror – Meditation on Mean People Pushing Their Big Carts Around at Costco

I see self,

but this moment, I’m

so oddly

kind, gentle,

I know that inside of me

is meaner than they.

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I Try Not to Slip Away from Who I Want to Be

 

We fixed you,

made you modern.

What would the windows do

when you have aluminum?

 

And lines, old lines, tan split by old,

above-ground lines, split by a

telephone pole, hand-carved sitting

by the door that would not allow you in

unless you showed your whole face

in the tiny box.

 

Oh but we opened a nice front

on the side and more aluminum

and now there are sadly-ripped papers

glued and taped to that window,

 

that door and the painting

on the window

look so stale, as if to be dead.

 

We gave you plenty of spots

but you sit there with

empty slices of bored, and

sleepy gravel,

waiting for action,

waiting for

the brightness of the energy

we need. And then,

 

and then,

and then,

would you watch that concrete

on the front?

 

Did we fix you, old man, or what?

No more curves or gaps or carvings.

We gave you 50s slab,

and if you don’t like it,

bang your head against that slithery, slimy wall.

 

until you bleed,

and the aluminum

laughs at you again and again.

.

.

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America, 2016, Unnumbered, Crashing Crumbles Aboard My Late Train

Confusion

from concrete, crumbles

spray grain dust,

curling light,

crushing spirits that fly, creeps

crimping my dead brain.

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Yet another Dystopia Today shot from the amateur Carl in some very small town (somewhere hidden in the midwest) sometime late in the Summer of 2016.

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America, 2016, #2 – On Gravel to Avoid the Hit

 

 

One in front

of the other they

said and no

one would love

me again, tossed I am on

rusty grills.

.

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Carl’s dystopia today shot near Gibbon, Nebraska, September 2016

.

 

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How Might I Squash That Fear?

Later, I remem-

ber being stricken

by dread of

what they felt:

How much did they spy rummag-

ing beneath the crust?

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Why I’m Not a Good Spectator at Poetry Readings

I’m here early. Observing
in a disinterested
way, or trying to appear

that way. The students, I want
to be one, and the hippies,
the hippies and a dead nylon

smell. Nothing wrong
with green hair but it bothers
me that it’s a fashion statement
while being anti-fashion, and I’m

anti-, anti-social because
I’m fearful of people I
don’t know, because I’m a
chicken without a mind,

perhaps intriguing on the
inside but flat as a board
in these chatty situations,
and all of this makes me

want to hate myself, especially
when George
won’t have the courtesy
to say hi to me. He is

the weirdo who was happy
to see me unofficially
kicked out of the writing
group. I hate him almost

because I set out
my weakness for
him, he being a similar,
bizarre character, and he

dismissed me,
the scoundrel.

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Riffed Out of Easy

Listening to loud Middle
Class Rut, wishing I
could run away to
their fields of play.

Some things are simple,
blare with clarity,
and they’re impossible.

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